Writing Workshops, Retreats, Mentoring

Workshops

The Headway Project – Thursday mornings from 10 – 12 ET

Spring 2026

 
 

Summer 2026

 
The Headway Project will not have any regularly scheduled workshops over the summer. Let me know if you’d like to be notified when they resume in the fall. Please add your name to the Notification list. No deposit is required:
 

Write with Vigour and Focus: using the Pomodoro method to super-charge your writing productivity

When I started Pyjama writing 4 years ago (we’ll be having our 4 year anniversary on January 4th! An excuse to eat cake in our pyjamas!) it was based on several things. Something I’d once read in Natalie Goldberg’s WILD MIND. Some experiences (not all great) in various focus rooms for productivity. But in large part on the work of academic Robert Boice, who spent years researching the effective writing practices of productive academics, and distilling them down to some basic guidelines.

In October, some of you know that I attended a writing retreat at the Kirkridge Centre in Pennsylvania that was led by Eileen Campbell Reed. It was a fantastic 3 days. (Actually only about 48 hours of actual retreat time) during which I FILLED UP AN ENTIRE NOTEBOOK!! Eileen reminded me of Robert’s work and practices and I came home completely re-energized about using the Pomodoro method.

I’m going to be leading an introductory session on Friday morning December 6th if you’re interested in learning more and trying the method out!

Reserve your spot below.

via GIPHY

The Unbearable Persistence of Things

A six-week memoir workshop to explore what arises through and underneath those objects and places that spark nostalgia in us.

This series of 2-hour workshops are designed to spark creativity and unlock memories through the power of objects and places. Whether you’re a seasoned writer or just beginning your memoir journey, this workshop will offer deeply supportive space to guide you in weaving connections between the tangible and the deeply personal.

Through engaging and experimental writing exercises, you’ll:

  • Use inherited or retained objects as inspiration.
  • Explore the memories, people, and events tied to them.
  • Begin to uncover the persistent threads that shape your story.

All workshops will be held in the AWA method and will include generative writing time and generous, strengths-based feedback.

Dates: Please put the following sessions in your calendar:
April 14, 21, 28, May 12, 26, June 2.

Please note: we skip 2 sessions in the sequence: May 5 is skipped because we are away leading a retreat in Niagara. May 19 is skipped because it’s a holiday.

Time: Mondays from 1:00 to 3:00 pm EST / 10:00 to noon PST

Registration fee: $195 CDN plus 13% HST (total: $220.35)

The Geography of Childhood (and beyond)

Using Place and Time to Explore Memoir Material

Every place we’ve lived leaves its mark. In this workshop, we’ll explore the landscapes of your early years—from the backyard you played in as a child to the environments that shaped your young adulthood. Together, we’ll uncover the memories tied to those places and explore them for the connections that will transform them into stories that matter.

This workshop is for anyone curious about memoir writing—whether you’re experienced, just starting out, or somewhere in between. With prompts inspired by location, we’ll gently guide you to discover and write about the moments that shaped your journey.

Reflect, write, and share in a supportive AWA based space.

Suitable for memoirist, poets, playwrights and fiction writers.

All workshops will be held in the AWA method and will include generative writing time and generous, strengths-based feedback.

Dates: March 3, 10, 17, 24, 31, April 7

Time: Mondays from 1:00 to 3:00 pm EST / 10:00 to noon PST

Registration fee: $195 CDN plus 13% HST (total: $220.35)

 

 

Register using the form below.

Snapshots: Using Family (and other) Photos to Explore Memoir

Photographs are rich resources when it comes to investigating memoir material. There is the moment captured — the visual details stored forever — or at least for the lifespan of that particular piece of chemically treated paper.

But the details in that image are just the beginning and can be used to light up our synapses and lead to other memories, both conscious and unconscious.

In this workshop, we will use existing photos as well as photos we no longer possess (and perhaps even photographs that never existed!) to explore our autobiographical material. Each week participants will try new memoir-based exercises organized around photographs to resurface and investigate the meaningful material from our lives and the lives of our families.

Each week there will also be an opportunity to share and receive immediate strengths-based feedback on what has just been written.

This course (unlike Sue’s year-long A Novel Approach to Memoir) is not designed to produce a full length work of creative non-fiction. However, if you are looking at doing a full length story, exercises from this workshop will be very useful in discovering material towards a longer work.

By the very nature of “Snapshots” we will also look at how photographs can be used to produce flash prose as well.

All workshops will be held in the AWA method and will include generative writing time and generous, strengths-based feedback.

Dates: January 6, 13, 20, 27, February 3 & 10.

Time: Mondays from 1:00 to 3:00 pm EST / 10:00 to noon PST

Registration fee: $195 CDN plus 13% HST (total: $220.35)

Register using the form below.

Publish Your Own Chapbook Workshop 2025

THREE TUESDAY EVENINGS in OCTOBER, 2025
OCTOBER 7th, 14th and 28th
(6:30 to 8:30 pm EST on ZOOM)

One of the most satisfying moments for poets and short prose writers is the first time they see their pieces published, but in today’s highly commercialized market there are fewer traditional opportunities for publication. If poets, especially, want their work published in book form, self-publishing is not just considered acceptable, it is the norm.

The most commonly recognized format is the chapbook. It is economical and easy to create, but certain fundamental skills are needed for poets to prepare and print this important publication, often the first time their poems are delivered to the world. Chapbooks can be any size, the number of pages varies from 16 to 30 depending on the number of poems included.

MicroPress publisher James Dewar will once again present this popular three part series that will guide both emerging and well-known poets and prose writers through the process of publishing their work in a chapbook.

To keep costs low and the process simple, a Word Template for a 6″ x 9″ book will be provided at the beginning of the class in Microsoft Word and Open Office formats and will be the template used by participants to design and finish their chapbooks.

By the completion of the workshop participants will have created print-ready templates to take to a printer, and will possess the knowledge and templates to create future chapbooks on their own. As a sidebar, this workshop also demonstrates how to create files to upload to Print-on-Demand providers and E-Book sellers. (Amazon is used in this workshop to demonstrate this process.)

COST: $349.00 + 13% HST for all 3 workshops.

 

PLEASE CLICK HERE TO REGISTER AND PAY

 

Additional available options:

 

a) Professional book cover design by Sue Reynolds. COST: $150 + HST.

b) 25 copies of your chapbook (30 pages or less) printed by our exclusive Canadian Printer, Hume media Inc in Toronto, for $150 + 5% GST. (shipping cost not included)
NOTE: DUE TO NEW U.S. TARIFFS, THIS OPTION IS ONLY AVAILABLE IN CANADA

MINIMUM REQUIREMENTS:

Either Microsoft Word or Open Office Writer installed on a pc desktop or Apple computer AND an everyday familiarity with using the features of Microsoft Word or Open Office Writer
(These are the only two templates available in the workshop.)
• A computer with a good internet connection and a zoom interface that properly accesses video and sound.
(Note: using a cellphone or a small screen tablet is not available in this workshop.)
• A generous selection of poems and/or pieces (20+?) edited and ready for insertion into the chapbook template. (You may decide to change the order of pieces or make changes to pieces once they are in the template, but try to limit this as much as possible to avoid creating layout issues in the template. The more prepared your pieces are before the layout begins, the easier the process will be.)
• Since most of the layout will be achieved between classes, set aside lots of time in October to complete these tasks.
• Patience and enthusiasm

I WILL BE AVAILABLE TO HELP OUT BY EMAIL IF YOU HAVE ANY DIFFICULTY THROUGHOUT THE WORKSHOP.

DETAILED WORKSHOP DESCRIPTION

Part 1: (OCTOBER 7) What is a Chapbook and How to Decide What to Publish?
Workshop 1 (of 3)

Why do you want to publish? (A discussion about living “The Artist’s Way”)
What is your book about? (What do you write about and care about and why it’s important.)
How do you know if you’re ready? (Overcoming fear and self-esteem issues.)
How to decide what ends up in your chapbook? (How many poems have you identified as ready for publication?)
How do you pick the order of your poems/pieces? (Is there a process that will help decide?)
Tips for picking a Title that attracts attention.

Part 2: (OCTOBER 14) Learn Professional Layout and Book Design
Workshop 2 (of 3)

Using examples, James will explain how text and images are placed into the Microsoft Word Chapbook template.
He will guide poets and writers through the key elements of professional layout and design:

1. essential elements of aesthetic page design
2. layout fundamentals
3. inserting page numbers and excluding them from blank pages
4. headers and footer options
5. solving the problem of dividing your book into sections
6. obtaining a publisher name, ISBN number and downloading pricing barcodes for the cover

Other aspects covered:
• How are the first, last, middle and other segments selected?
• How is the ideal title chosen?
• How important is the cover? (a template will be provided, but James does not prepare book covers in the workshop. Sie Reynolds offers professional book cover assistance for an additional fee.)
• How to find cover designers? (and dealing with copyrighted images)

Part 3: (OCTOBER 28) How to Manage Print Options (Hard copy, Print-on-Demand & E-book)
Workshop 3 (of 3):

To Print or Not to Print:

1) How to prepare your manuscript and book cover files for printing.
2) The difference between perfect bound, stapled and other formats.
3) How to talk to print houses like a professional.
4) Controlling the proof copy and final print run process.
5) Balancing cost and expectations when ordering your first shipment.

Preparing your Template to sell as a Print on Demand:

1) How to change the Layout for uploading to a Print-On-Demand provider.

Preparing your Template to sell as an e-book online:

1) Adapting the Layout so it converts to the (free) Kindle Create app.
2) Uploading and checking your ebook on the (free) Kindle Previewer app.
3) How to prepare your book to upload to Amazon as a kindle e-book.
4) How to price your Print-on-Demand and e-books.

FOLLOW-UP 30 Minute Review:

Once you have created your interior and cover pdfs for printing, James will review them and address any issues that might pop up as you finish your layout. He will ask for your Word version, repair it, and email it back to you if it can be fixed easily.

If the problem is more substantial and he cannot achieve this in under 30 minutes, he will advise you of the problem, provide an estimate at his normal rate of $70/hr + HST, before asking if he should proceed.

NOTE: Our Piquant Press and Stones Throw Publications’ books have been printed with a reputable Toronto Printer who offers special pricing for small books in small print runs. Hume Media Inc has offered a flat fee of $150 + GST to print 25 copies of your chapbook in high quality cover stock and interior page paper as long as the page count is 30 pages or less.
NOTE: DUE TO NEW U.S. TARIFFS, THIS OPTION IS ONLY AVAILABLE IN CANADA

Write Around the World – AWA’s Fundraiser


 
You likely know that the writing workshops James and I do are held in the Amherst Writers Method (AWA). This is what we use to keep our workshops safe, creative and productive.

May is the month when Amherst Writers reaches out to writers everywhere by holding Write Around the World (WAW). Workshop leaders volunteer their time to lead AWA Method workshops on a donation basis because, as well as being a fundraiser, we want to make it accessible so people who have never experienced the method get a chance to try it out.

I will be donating my time to lead 3 WAW workshops and James will be leading one about poetry with Kate Marshall Flaherty on these dates:

And if that schedule doesn’t work to write with us, or ours are full by the time you try to register, there are lots of other marvelous opportunities.

For us at AWA this is a chance to raise awareness of AWA’s method and its uses, to bring people together in our writing communities of care and comfort, to offer them a therapeutic experience of creativity, and help people claim their voice as writers. And the monetary stakes can be very low. Suggested donations are $20, $10 or even just $5 for those who are experiencing financial distress.

PJ 12I would love you to come and write with me during one of my sessions. If that’s not possible because of timing, or if you want more time and space for your writing than just my session, I invite you to give yourself the gift of a writing workshop with another AWA leader. You can see them all, and sign up HERE.

Please also share the link with others you know who write. Think about the relief and joy you felt when you found the safe space that an AWA Method workshop provides. This is an opportunity to offer that gift to others.

I hope to see you in one of my Write Around the World sessions.

Looking forward to writing with you!

Warmest,

What’s coming up from Inkslingers

What’s in this Post:

__________________________

Write Around the World


May is the month when Amherst Writers reaches out to writers everywhere by holding Write Around the World (WAW). This is their yearly fundraiser—Workshop leaders volunteer their time to lead AWA Method workshops. The sessions are offered on a donation basis because we want to make it accessible so people who have never experienced the method get a chance to try it out.

I will be donating my time to lead 3 WAW workshops and James will be leading one about poetry with Kate Marshall Flaherty.

Please go here to read more: Write Around the World with Inkslingers

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Spirit of the Hills – Word on the Hills – Sue’s interview


I was delighted when Word on the Hills, hosted by Gwynn Scheltema and Chris Cameron, asked to interview me a few weeks ago. The show is airing on Sunday May 2, at 1:00 pm on 89.7 FM, streamed at northumberland897.ca. If you can’t listen to it at that time, it will be archived by May 4, 2021 at wordonthehills.com.

 

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Registration is open for our Autumn Workshops:

Autumn Sanctuaries posted – Writing with Sue, Poetry with James

Dates and registration are up HERE for our Sanctuaries. This fall, while vaccination in Canada is still uncertain, sanctuaries will all still happen online. James is offering some Poetry-focussed Sanctuaries again at last now called “Write and Learn Poetry”.

We’ve also announced the dates of our year long workshops starting in September and registration is open for:

In January of 2022 we’ll also be doing an online version of our 8 week intensive “Navigating the Publishing Marketplace with Confidence”.

Looking forward to mentoring your words and your pages!

_______________________

Report from the Pyjama Front

 
“Though we live in a world that dreams
of ending that always seems about to give in,
something that will not acknowledge conclusion
insists that we forever begin.”
~ Brendan Kennelly
(from his poem “Begin”)
 

In the Aesop’s fable about the hare and the tortoise, I always felt sorry for the hare. That silken runner had everything necessary to win that race. The fable says that he was so sure that he had a winning head start on the tortoise that he thought he’d lie down and take a nap.

If the fable took place today, he’d have stopped to check his emails, or gone onto Facebook, and gotten fatally distracted.

When it comes to my writing I’ve always been a binger, never managing to fit it in steadily. I would hare away on a writing retreat and produce 70 pages in 12 days. And then nothing for months, as I returned to my paying work, my livelihood, my overcommitted life.

Thanks to Pyjama Writing, I have much more admiration for the tortoise. The steady accretion of pages on my big projects, one hour at a time, four steady hours a week, feels like a miracle. The putting first of my own artistic practice—at least for those four hours—is a revelation.

In the last month, as pressure with work has geared up, I have also used those dedicated hours to produce other writing that I would have delayed starting on. It’s not just my artistic projects that fill me with anxiety—any kind of commitment around writing that will be read and evaluated by others can trip the procrastination switch. So recently I’ve also allowed myself to use the pyjama writing time to force myself to sit still and put words on the page. Messy first draft words, clay that can be shaped into something more elegant.

In fact I’m doing it right now with this blog post. The version of it you are reading (now for you, in the future for me), is nothing like the messy version I am typing right now. At least I’m hoping it isn’t/won’t be. 🙂

And many people who have come to Pyjama Writing over the last few months (and who are still coming) are also startled to find out how these hours of communal silence can add up to a significant word count. You can read their TESTIMONIALS here.

So this is a reminder and an invitation. I continued Pyjama Writing through April and will continue at least until the end of May. (That’s as far as I can see right now).

Except for May 10 (a Hakomi training event – the last one of the season and I’m getting very close to certification!) and May 31, when I will be leading an evening session for AWA’s Write Around the World on memoir with Stephanie Curry (which you’re invited to!) Click here to read when I am leading these sessions.

As Brendan Kennelly’s poem invites us, begin again. If you were coming before and have dropped away and if your dedication to your writing has suffered because of it, feel free to come back when and if it suits you. If you haven’t tried it yet, feel free to drop into a session and see if the quiet, dedicated companionship of other writers helps you keep your butt in the chair and your fingers on your pen or the keyboard.

As always, the sessions continue to be offered at no cost. All you have to do is register. (Although, if you want to make a donation to Amherst Writers social justice programs, all donations of any size are gratefully received. This year, in addition to building their program of writing workshops for Veterans and their families, they are offering scholarships to BIPOC and other individuals to make sure the AWA method reaches the populations whose unheard voices need to be in the world.)

You can see all the dates for the upcoming Pyjama Sessions till the end of May at this link.

Looking forward to writing with you soon in the way of the tortoise – slow and steady builds the manuscript!

Warmest,

 
 
 
 
 

Sue Reynolds

10 Months/10 Submissions Payment Page

Payment Methods:
 
TOTAL COST: $1,995 + HST
 
1. Via E-transfer to: piquantp@gmail.com (please include HST)
 
2. Cheque made payable to Piquant Productions. (please include HST)
 

3. Visa or Paypal: (HST is added at checkout)
 
Deposit for A Novel Approach 10 Months – 10 Submissions: $500 + HST





Second Payment for A Novel Approach 10 Months – 10 Submissions: $1,495 + HST





Entire amount for A Novel Approach 10 Months – 10 Submissions: $1,995 + HST.