Workshops
SoulCollage® Full Day Workshops
There are 4 SoulCollage full days booked from September 2011 to June 2012:
Each one has a specific focus for making cards intentionally, but of course intuitive card making is always welcomed and celebrated. Also, Sue has added SoulCollage® Studio Evenings. Click here to read more about them.
Dates: Sunday October 23rd – Doing Readings with your SoulCollage Cards
Saturday February 4th – Your Community Suit – External Influences
Saturday April 7 – The Companion Suit – Your Intuitive Nature
Saturday June 2 – Focus TBA
Read the rest of this entry »
Writers’ Sanctuary Dates from Sept 2011 to June 2012
“Some of my best work has evolved out of Sue Reynold’s Sanctuary Sundays. She provides a peaceful and nurturing setting, as well as experiential exercises to get the writing juices flowing and inspire the writer within. Sue herself is a beautiful, encouraging, and supportive presence (plus an excellent cook – lunch is included!). Sue has an innate talent for recognizing the jewels in each writer’s work. The effect of this one day lasts weeks, a door opened for future writing.” – Poet Annabelle Murray
When I was the mother of a young child I used to dream of having a place I could go to periodically to write. Not for too long – there was too much going on at home. But a day now and then – a few hours to devote to my poor book that so often got shunted to one side because of all the other demands of my life.
And then, as it has a habit of doing, my life changed. I moved into this cozy space in the woods full of bookshelves, a fireplace, a kitchen where the coffee pot is always ready to pour a cup or two, and a yard where the wildlife parades past the windows and serenades day and night (everything from blue jays and chickadees, juncos and nuthatches, to wild turkeys, deer, a weasel, raccoons, skunks, coyotes, wolves, and – just a couple of times in the spring – a black bear).
It’s a magical space and I realized I could share it with other writers and make those creative days I had once dreamed of happen, for myself and for other members of the writing tribe.
And so, Writers’ Sanctuary Sundays were born.
At a Sanctuary Sunday, we begin at 10:00 a.m. Writers are welcome to arrive a few minutes early to settle in, grab a coffee or tea, and muffin or some fruit and chat with the others.
The morning is spent doing a series of on-the-spot timed writing exercises to stretch those stiff writing muscles and get the creative writer in you feeling more relaxed, focused and perhaps even a little experimental.
After the delicious lunch (provided) the afternoons are spent in silent communion with other writers, working either on a computer or by hand on whatever project is preoccupying you as a writer these days. If you don’t have a laptop but want to work on a keyboard, you will be provided with a computer. Your Word file can be emailed to you at the end of the day.
Uplands is in a peaceful rural location, so you are also welcome to go out for a walk on quiet country lanes if you need a break. There’s even a couch or two if you need your afternoon nap for half an hour to wake up refreshed and ready to write some more!
Writing is over at 4:45 p.m. for those who need to get home, but if you wish to stay, there will be an opportunity to sit a while longer, to share some of what you’ve been working on and to debrief, discuss issues of craft, etc.

Space is limited.
Place: Uplands – 10 km west of Port Perry, 10 km southeast of Uxbridge.
Dates from September 2011 to June 2012:
For Fall 2011:
Sunday, September 25 – Full
Saturday, October 15 – Full
Sunday, October 16 – Full
Sunday, November 6 – Full
Saturday November 19 – Full
Sunday, December 4th – Full
For Winter/Spring 2012:
Sunday, January 8Full
Saturday, January 21Full
Sunday, February 5 Full
Sunday, March 4 Full
Saturday, March 24 Two spaces left
Sunday, March 25 Full
Sunday, April 15 Full
Sunday, May 6 Full
Saturday, May 26
Sunday May 27
Sunday, June 3 Full
Saturday, June 16 Full
Cost: $65. per Sanctuary, lunch included.
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As I drove away from my first Sanctuary with Sue Reynolds I began to cry and the words came to my mouth, “I can do this. I can actually write.” I felt heard, respected and honoured in that circle of writers. But the most potent gift was the confirmation that what I longed to do was a possibility and not just a dream. Sue’s remarkable ability to not only recall whole phrases read from a long piece but the way she makes one’s own words shimmer with beauty and meaning as she turns them over in her mouth is an experience every writer and aspiring writer should have. When I look back over the novel I have just completed I notice that all of my favourite scenes begin with a prompt I received at Sanctuary. I am a reasonably self-motivated writer now, but a nourishing day at Sanctuary gives me the opportunity to share with other writers as well as devoted time to turn out usually at least dozen pages of work to launch me into the next phase of my work. – Novelist Deepam Wadds
cforms contact form by delicious:days
When you hit “SUBMIT” you will be taken to a page where you can pay via PayPal or credit card (through the PayPay portal).
Because Sanctuary dates are so popular, and because the group is limited in size, your registration is not confirmed until payment is received. If you prefer not to use Paypal, you can pay by cheque. The mailing address is:
Sue Reynolds
GoForWords,
13240 Mast Road,
Port Perry, ON
L9L 1B5
SOULCOLLAGE: In October 2010 Sue was certified as a SoulCollage® facilitator Click here to read more.
To read what one participant wrote about the Sanctuary experience, please click here.
SoulCollage Studio Nights

In Spring 2012 Sue continues her “SoulCollage Studio Nights” series.
On these evenings, SoulCollage stations will be set up, ready to go by 5:30 p.m.
From then until 10:30 p.m., participants are welcome to come and work on making cards for their SoulCollage decks. Read the rest of this entry »
Blue Heron Writing Courses for Spring 2012
The Fundamental Novelist
with James Dewar
Small Wonders (Writing Short Stories)
with Susan Lynn Reynolds
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The Fundamental Novelist
The Essential Elements of Publishable Book-Length Storytelling

This 10 week workshop provides writers with the essential elements of publishable book-length story telling.
The arc of the classes begins with an analysis of the key stepping stones. Participants will:
- - define the overarching dramatic question that their novel will answer
- - learn how to keep characters intriguing so that readers will care what happens to them
- - interweave themes to keep the story consistent and interesting
- - apply scene building techniques that will keep the novel riveting and ensure every scene is a keeper
- - select the ideal voice for the story teller
- - analyse the value of point(s) of view in the story
- - develop ways to maintain consistency throughout the novel timelines
While participants investigate and refine these storytelling fundamentals, the workshop will simultaneously encourage the parallel process of getting the novel in front of an interested agent or publisher. Participants will:
- - prepare a convincing pitch
- - draft an engaging query letter
- - finalize the first 20 pages of the story
- - practice pitching their story to each other and in front of a knowledgeable panel.
The author who has written the best story and displayed ingenuity in the related aspects of novel promotion, as identified by the Blue Heron panel, will be forwarded to Adrienne Kerr, Chief Acquisitions Editor at Penguin Books, for consideration.
Wednesday Nights, starting February 29, 2012, 7:00 to 9:30 p.m.
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James Dewar has been the publisher and chief editor of Piquant Press (www.piquantpress.ca) since he started the company in 2009. It specializes in publishing poetry, non-fiction and short story collections. He has previously edited and published ten chapbooks for emerging talents through CreativeJames Publishing and co-edited three poetry anthologies. As a freelance magazine editor for Metroland Newspaper Group, he has extensive experience in editing, magazine layout and design. He teaches writing and performance workshops, including the year-long workshop with Sue Reynolds, A Novel Approach, that guides writers to complete a novel or memoir in one year. His poetry has been published in The Garden in the Machine (2007) and several anthologies and literary journals. He is President of the Writers’ Community of Durham Region (www.wcdr.ca). For more information about James and his workshops, including the writing retreats that he and Sue Reynolds offer, please visit www.inkslingers.ca.
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Small Worlds (Writing Short Stories)
with Susan Lynn Reynolds
Writing Short Stories
Short stories are still one of the best ways to break into the literary publishing market. This course will focus on the particularities of this literary genre. Character development, narrative structure, story arc and plot construction will be explored by weekly readings of published short stories, as well as by participating in writing assignments.
Week by week, participants will be working on short stories of various lengths. By the end of the course, writers will have created three short stories with a view towards submitting them for publication or to short story contests. Participants will also have one of the stories produced during the course published in the course anthology.
The best writing in the short story class as chosen by the Blue Heron Selection Panel, will be forwarded to editor Adrienne Kerr at Penguin Canada for personal feedback and consideration.
Course fee includes a copy of the text.
Starts March 6, 2012. Tuesday nights from 7:00 to 9:30
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Susan Lynn Reynolds is a writer and an accredited writing instructor in the Amherst Writers and Artists method. She is past president of the WCDR and current vice-president of the national organization Canadian Creative Writers and Writing Programs (CCWWP).
Her novel Strandia won the Canadian Library Association’s national Young Adult Novel of the Year award, and she won the Timothy Findley Creative Writing Prize three years in a row for her short stories and poetry. Her area of specialty is the therapeutic use of journaling and memoir, and her thesis on that topic received the Canadian Psychological Association’s Award of Academic Excellence in 2006.
She has been leading writing workshops for female inmates at Central East Correctional Centre for seven years, a program for which she received the 2007 June Callwood Award for Outstanding Volunteerism for that program.
She and her partner James Dewar run a freelance writing and web design business, and teach creative writing in a number of freelance workshops, at Durham College, and in their year long course A NOVEL APPROACH where participants take one year to write their book length novels or memoirs.






